Olodum - Cartão Postal

Download Olodum - Cartão Postal
Artist: Olodum
Album: Cartão Postal
Rating: 3.0

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Filename: olodum-carto-postal.zip
  • MP3 size: 4.2 mb
  • FLAC size: 50.5 mb
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Review by Oscar Garcia

The album Cartão Postal by Olodum is a vibrant and dynamic collection of Afro-Brazilian rhythms and melodies that showcase the band's impressive musical skills and cultural heritage. From the opening track "Que Bloco é Esse" to the closing number "Ladeira do Pelô," the album takes the listener on a journey through the streets of Salvador, Bahia, where Olodum was formed in the 1980s.

The album features a mix of traditional and contemporary styles, blending samba-reggae, axé, funk, and hip-hop influences with the group's signature percussion-heavy sound. The lyrics, sung in Portuguese and sometimes in English, address social and political issues, celebrating the rich African heritage of Brazil and advocating for equality and justice.

Standout tracks include "Deusa do Amor," a romantic ballad with a catchy chorus and a beautiful saxophone solo, and "Revoltosa," a lively and energetic song that showcases the band's impressive percussion section. The album also features collaborations with other Brazilian artists, such as Carlinhos Brown and Margareth Menezes, adding even more depth and diversity to the already rich musical tapestry.

Table of Contents

Tracks

TrackDurationPreview
Cartão Postal3:32

Images

lataa albumi Olodum - Cartão Postal
ladda ner album Olodum - Cartão Postal

Catalog Numbers

115903156

Labels

Continental

Listen online

  • lytte på nettet
  • écouter en ligne
  • lyssna på nätet
  • ouvir online
  • online luisteren
  • online anhören
  • escuchar en línea
  • kuunnella verkossa
  • ascolta in linea

Formats

  • Vinyl
  • 12"
  • Promo

Companies

RoleCompany
Manufactured ByBMG Ariola Discos Ltda.
Licensed FromWarner Music Brasil Ltda.

About Olodum

Olodum is a cultural group based in the Afro Brazilian community of Salvador, the capital city of the state of Bahia, Brazil. It was founded by percussionist, Neguinho do Samba. One of many similar groups in the city (and elsewhere in Brazil), it offers cultural activities to young people, largely centered around music; it also offers theatrical productions and other activities. Founded in 1979, its stated aims are to combat racism, to encourage self-esteem and pride among Afro Brazilians, and to fight for civil rights for all marginalized groups. Olodum is widely credited with developing the music style known as samba reggae and for its active participation in carnaval each year. Neguinho do Samba, the lead percussionist, created a mix of the traditional Brazilian samba beat with merengue, salsa, and reggae rhythms for the Carnaval of 1986. This became known as samba reggae. This "bloco afro" music is closely tied to its African roots, as seen through its percussion instruments, participatory dancing and unique rhythm. It also directly draws from many Caribbean cultures, like Cuba and Puerto Rico. Olodum's performing band (or Banda) has released records in its own right and has been featured on recordings by Brazilian stars such as Simone and Daniela Mercury. Olodum performed on Paul Simon's 1990 album The Rhythm of the Saints and at the subsequent concert in Central Park, New York City on August 15, 1991. In 1995, Olodum appeared in the second music video for Michael Jackson's single, "They Don't Care About Us" (the original "Prison version" was banned on most music stations due to its violent scenes). The music was changed slightly to fit Olodum's style of drumming. The "Olodum version" (unofficial title) of the song has since become more popular than the original album version.

Name Vars

  • Banda Olodum
  • Banda Reggae Olodum
  • Groupo Cultural Olodum
  • Grupo Cultural OLODUM
  • Grupo Cultural Olodum
  • Grupo Olodum
  • Olodum Banda Reggae
  • Olodum Mirim
  • Olodun

Members

  • Neguinho Do Samba
  • Lázaro Silva
  • Ito Bispo
  • Lucas di Fiori
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Summary by Oscar Garcia

Cartão Postal is a must-listen for anyone interested in Brazilian music and culture, and a testament to Olodum's enduring legacy as one of the country's most important and influential musical groups.

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